The return of seminal indie-rockers from San Diego celebrating 10 years of "Autumn of the Seraphs"
February, 6th, 2017
Doors: 8:00 pm / Show: 9:00 pmDoug Fir Lounge
This event is 21 and over
Pinback will be playing Autumn of the Seraphs in its entirety this night plus a ton of other hits!
6 ticket limit per customer/account/credit card/email/address. Orders will be reviewed for adherence to the 6 ticket limit. Orders exceeding the limit may be cancelled at the promoter's discretion. Orders placed for the sole purpose of resale will be cancelled.
A limited quantity 2-NITE PASS IS AVAILABLE HERE
On one hand, their fifth album, Information Retrieved, is the logical and accessible realization of a sound Pinback have been developing and refining for over a decade. However, that consistency that we’ve taken for granted is what makes Information Retrieved such a euphoric surprise; their finest and most fully realized album, a dozen years deep into a career that includes bona fide modern classics like “Good To Sea” and Summer In Abaddon. Simply put, this is better than we ever could have expected. They could have coasted on automatic pilot to another lauded album that likely would have made it onto plenty of year-end lists, but instead they shot the moon, and the result is a major triumph.
The touchstones are still there: Zach Smith‘s stunningly unique bass guitar acrobatics driving both rhythm and melody in lock-step unison; the incredible immediacy of Rob Crow‘s voice that could make a phone book sound compelling; and the musical and lyrical interplay between the two of them that made Pinback so special in the first place. The difference now is their exquisite control over dynamics and a greater emotional resonance throughout. It’s the most complete and soulful Pinback album by a fair distance, the finest moment in the career of a band whose unfettered brilliance we’ve come to count on, but will never again take for granted.
The EP Sperm Whale (Kill Rock Stars, 2000) refines Preston's approach in a more focused manner. While still spread 360 degrees all over the musical front, the tracks zoom on a tragic poet and his quest for a noir atmosphere. The whirlwind of distortions, android samplings and science-fiction sounds in the instrumental Oso Malo resembles the most nightmarish Six Finger Satellite, but the cavernous Melvins sludge is only a few minutes away. Preston's true soul is in these extreme sonic experiments, that balance grunge heaviness and an almost jazz aesthetics: the threnody for bass and electronics that opens Ephraim, the ominous bass theme that carries a loud distortion in Manmtn, the exoteric requiem from which Obolus takes off. Preston's tactic is to rip these morbid moods apart with torrid, infernal riffs and grooves. The effect is particularly gripping in Obolus, a veritable prayer from the underworld. In between the major experiments, Preston still enjoys surreal diversions. The best one here is Nuts And Berries, that comes through as a grindcore version of Syd Barrett.
After a five-year hiatus, Day Late Dollar Short (Southern Lord, 2005) collects singles an rarities.