Under The Covers: A Valentine's Weekend Affair
Under The Covers with The Moody Dudes
Lost Lander, Melville
February, 9th, 2018
Doors: 8:00 pm / Show: 9:00 pmDoug Fir Lounge
$10.00 - $12.00
This event is 21 and over
Ah, Valentine's Day and love is in the air Portland! Ever wanted to hear a solid crop of local bands cover epic love ballads like Boyz II Men's "I'll Make Love to You" or "Dreamweaver"? Well this is your shot folks! Come snuggle up 'Under the Covers' with us for an evening of love songs, from the serious to the utterly campy and featuring local groups The Moody Dudes (members of Blitzen Trapper, Parson Redheads, Ozarks), Melville, Lost Lander & Friends, and more bands TBA.
So if you're currently feeling the "Power of Love", emoji hearts in your eyes and want to share the evening with your boo, or if Cupid missed his mark and you feel like "Love Stinks" and wanna come find some fellow singles to get your party on with, Under the Covers is gonna have all your Valentine's Day needs covered.
Whatever you do though, make sure to pickup your advance tickets so you don't get heartbroken this Valentine's Day by missing out; the past shows have sold out!https://www.dougfirlounge.com/event/1624849/
The confrontation of these dualities resulted in a set of songs that explore “more human territory,” according to Sheehy, a professional forester who spend his days in Oregon’s immense wooded expanse – where he collects data while occasionally dodging 1,000-pound bull elks and the stray hunter’s bullet.
The coming-apart of Sheehy’s marriage engagement and nearly concurrent loss of his mother, followed closely by the blooming of a relationship with longtime friend and bandmate Sarah Fennell, heavily influenced the lyrics on Medallion.
“It was almost like a switch flipped,” Fennell says. “It took us a while to figure out what that meant.” The 80s British synth-pop influenced ““Gemini” deals very directly with the danger I felt in getting closer to Sarah,” says Sheehy, while Paul Simon-esque world folk number “Flinch” is a direct response to his mom’s passing.
Yet not all the songs are so directly autobiographical: “Feed the Fever” was based on a TV interview with NSA whistleblower Edward Snowden; the lyrics are direct quotes from the transcript. The swirling world beat psychedelia of “Trailer Tracks” was written whilst secluded in an Airstream during a writers’ retreat. The wide-screen Blue Velvet epic “Alpine Street” is a cinematic dream of suburban domesticity, cut with an undercurrent of sadness and dread. “Nothing lasts forever,” Matt observes. “And the seeds are already planted for the change that’s inevitable.”
Sheehy took the seeds of the songs into “the idea factory/workshop that is Brent Knopf’s brain,” he relates, “where he spits out all the bells and whistles that we hang on those structures.”
The new songs, recorded with producer Knopf (Ramona Falls, Menomena), also owe their current form to Sheehy’s bandmates; keyboardist Fennell, drummer Patrick Hughes and ex-bassist Dave Lowensohn. Medallion also features Beirut trumpet player Kelly Pratt, Akron/Family’s Dana Jenssen, and new bass and guitar player, William Seiji Marsh.
After the 2011 release of DRRT, Lost Lander went on tour for almost two years, playing 140 shows in the US, Canada, Europe, and Russia, where their collective experience resulted in the camaraderie and tightness that went into the making of Medallion. “For me, this band has been a dream come true” says Sheehy. The music business in general may be pessimistic, but not everyone in it is. We’re excited to go towards enthusiasm.”
Medallion is all about wrenching joy from despair, of finding the permanent within the temporary. “This record is an exclamation of love and loss,” Fennell declares. “It’s emotional, dealing with life in an exuberant way, even if it’s sad, hard, wonderful, and crazy. We’re all just lucky to be here to experience it.”
The concept behind The New Zero represents a starting point – the culmination of past events into the beginning of something new. Melville’s first full-length record comes after the band spent time honing their sound from lower-fi alt-country to the current template of visceral, shoot for the stars, high-energy rock ‘n roll. The results do not disappoint. The songwriting is markedly tighter and more focused on this album. When combined with lead singer/songwriter Ryan T. Jacobs’ fiery vocals, the album’s abundance of hooks and singable choruses proves nearly irresistible.
Having spent seven years living in Europe, Jacobs speaks four languages, and channels his world travel experiences into his songwriting. Jacobs’ lyrics and dynamic vocals are enhanced by the impressive technical skill of his fellow bandmates: bassist Ryan Aughenbaugh; guitarist Dan Bacon; and drummer Juan Felipe. This versatile troupe of musicians brings a certain swagger to the Melville sound and a new fire to the stage.
Either a result of, or a reason for Melville’s longevity, the band’s sound is neither restrictive to nor a derivative of the current era. The music has been compared to the likes of Ryan Adams, Tom Petty, Snow Patrol, and REM. Above all, Melville’s invigorating brand of emotive rock ‘n roll believes in transcendence through music and aims to move its audience to believe the same.
Recorded with Gregg Williams (The Dandy Warhols, Sheryl Crow, Blitzen Trapper) and mastered by Paul Gold (The War on Drugs, Grizzly Bear), The New Zero was meticulously crafted over the course of two years. As the band has evolved, Melville has seen their song “Heart” debuted at a sold-out Portland Trailblazers game; they played the Portland Party at SXSW; and they shared the stage with the likes of Collective Soul, 3 Doors Down, Nathaniel Rateliff & The Night Sweats, Wilco side-project The Autumn Defense, Minor Alps, and Murder By Death. The August 18th debut of The New Zero and the ensuing album-release tour will simultaneously mark the closing and opening of chapters old and new. With a live show full of energy and packed full of their exhilarating songs, you won’t want to miss being a part of what’s coming next.
Ultimately, our worlds can change in an instant. What Melville wants to convey with this record is that in the moment after those changes, we have The New Zero: a chance to shape what comes next. We can no longer influence the past, but the present is ours to be molded and defined. The aftermath of what comes our way is malleable and there is always The New Zero.