555-BURN SERIES KICK-OFF: Keeping the underground alive on E. Burnside
555-BURN: Summer Cannibals
Kelli Schaefer, Roseblood
Saturday, February 3, 2018
Doors: 8:00 pm / Show: 9:00 pmDoug Fir Lounge
$5.00 - $8.00
This event is 21 and over
Doug Fir launches monthly show series 555-BURN with a Summer Cannibals Cassingle Release on February 3, 2018.
555-BURN showcases the best and baddest local bands all for an Old-Portland ticket price of $5 in advance / $8 day of show. Get underground with MFDF.https://www.dougfirlounge.com/event/1611650/
It seems only logical that when the band decided to sign to a label, they chose a label like Kill Rock Stars, which has a long history of putting out fearless, female-led bands like Bikini Kill and Sleater-Kinney. “Summer Cannibals take us back to our roots,” says KRS President Portia Sabin. “Jessica is a great songwriter and the band is super exciting live, it’s a perfect fit.”
The new album Full Of It is the band’s defining statement to date. Recorded at the amazing analog recording studio The Dock with producer Chris Woodhouse (Thee Oh Sees, Wild Flag), the LP is one of those massive leaps forward that every band hopes to achieve at least once in their career. Aided by rhythm guitarist Marc Swart and a new powerhouse rhythm section of drummer Devon Shirley and bassist Jenny Logan, the 11 songs spark with that perfect mix of snotty attitude, unbounded energy, and window rattling volume.
But when Schaefer decided to step back from the whirlwind of live shows to focus on her follow up, she found that she wanted to go in a different direction. She kicked off this exploration with a self-produced, limited release EP titled 601 in May of 2013, debuting the beginnings of her new sound. Starting in 2014, she joined back up with Ghost of the Beast producer Drew Grow, and her bandmates Jeremiah Hayden and 601 guitarist Ryan Lynch, and found her vision had shifted to a more conceptual, unhinged rock and roll sound.
Driven to explore the darkest corners of her own origin, and also to step outside of herself, the record came into being after almost three years of writing and recording.
No Identity is darker than Ghost of the Beast, growling with confidence - but with a sense of humor. Confidence was hard-won, coming out of the passing of her father and dealing with the unavoidable ripples from it, the record was as much shaped by life and life was shaped around the record. The title track of No Identity kicks off with a beat as strong as a heart and a guitar line threatening to explode. She sings in clear, close range:
I am a bobcat
Trying to be a tiger
Trying to push through
Mirroring the expansive noise and incisive shadow of PJ Harvey, with the fearless abandon of Nick Cave, and vocal play of Bjork, No Identity travels at light speed through the American landscape so many of us left and forgot to examine. It is a genesis story marked with resolve and technical prowess - muscular guitar, rumbling bass, and vocals that bend over themselves and spring back to shape.
The melodies are pop with meat on their bones, robust and full, unafraid to stick in your head and to your ribs. It is art-pop with depth and vision, the product of an artist who not only carved out a space for herself, but has grown into a voice that has the potential to reshape a well-worn world.
No Identity earns Schaefer a reputation as one of Portland's strongest songwriters. Since the album released, Schaefer and her band have been touring regionally to support the record. NPR included the band’s in-studio performance in their “Essentials of 2017” list noting that “through chopped-up verses and soaring choruses, she turned in one of the most impressive performances I've seen in years,” while a KEXP review of a recent live show found ”her music stares into the abyss, but she continues to come back unscathed and stronger than before."
Late this year, Schaefer worked with electronic artist Mija, who reproduced the final track from “NO Identity” into a song Spin says “splits the difference between Bjork & ODESZA,” while Pitchfork noted “Kelli Schaefer has some of the xx’s Romy Madley Croft’s velvet hush in her vocals.” In the track’s premiere, Noisey dug deeper into the intention of the song, saying “Schaefer's lyrics are an us-against-the-world sort of thing, singing about the ways that the shitty state of affairs can bind people together.” “Bad For U” released Nov 30, 2017.
Keep an eye out in 2018, as Kelli Schaefer and her band plan hit the road as much as possible.