An Intimate Evening With Justin Townes Earle – Learning His New Songs and Remembering the Old Ones – Tickets – Doug Fir Lounge – Portland, OR – March 14th, 2017

An Intimate Evening With Justin Townes Earle - Learning His New Songs and Remembering the Old Ones

First night of JTE's March residency at Doug Fir!

An Intimate Evening With Justin Townes Earle - Learning His New Songs and Remembering the Old Ones

Barna Howard

March, 14th, 2017

Doors: 7:00 pm / Show: 8:00 pm

$14.00 - $16.00

This event is 21 and over

This is a mostly seated show. Standing room only once all seats are taken. Separate ticket is needed for each night of JTE's residency. Note, early door and show times for 3/14. 

Justin Townes Earle
Justin Townes Earle
Fresh off the success of his recently released album, Single Mothers, Justin Townes Earle announced the companion album Absent Fathers to be released January 13, 2015. Also comprised of 10 tracks, Absent Fathers was recorded alongside Single Mothers as a double album, but as Justin began to sequence it, he felt each half needed to make its own statement and they took on their own identities. A complete track list can be found below.
In describing Single Mothers, NPR describes the album as "...mov[ing] between evocative portraits of place set in knotty emotional frames, prickly confessions of destructive patterns, and melancholic eloquence in the wake of short-lived love affairs." The Sun UK hailed the album, noting "Justin's songcraft is fast maturing and this is a concise exercise in laying emotions bare," while No Depression summed up Justin's career by saying " No longer needing to beg for attention, he's built a career that's brought him critical acclaim and a well-deserved reputation for consistent artistic integrity."
Single Mothers was released on September 9, 2014 via Vagrant Records and, combined with Absent Fathers, the double album perfectly showcases exactly why Justin Townes Earle is considered a forefather of Contemporary Americana.
Once compared to a man who wears many suits, in thirty-two short years Justin Townes Earle has experienced more than most, both personally and professionally. Between releasing four full-length-critically-acclaimed albums, constant touring, multiple stints in rehab, a new found sobriety, being born Steve Earle's son, amicable and not-so-amicable break-ups with record labels, and facing the trials and tribulations of everyday life, it's safe to say JTE has quite the story to tell. His fifth album (and first ever on Vagrant Records) serves as the perfect platform for such narrations.
As a recently married, sober man JTE writes from a point of maturity and content we've not seen before on past records. "One day I just realized it's not cool to die young, and it's even less cool to die after 30," Justin states as he reflects on a life past and his newly found clarity. What he's created is material that's raw, honest and personal in a way he hasn't touched upon since his debut EP, Yuma.
Co-produced along side longtime engineer Adam Bednarik, Single Mothers and Absent Fathers shine in a world of pop-culture driven Americana records. "I don't really know what Americana means anymore," Justin laughs. "That's not a slant on Americana, it's just become a very unclassifiable genre. It's gone seemingly pop. There are good parts to that, but it's getting to a point where it won't be able to redeem itself if it doesn't slow down. Just like everything that gets popular." With his heart and soul still rooted in Nashville, Single Mothers and Absent Fathers show Justin's continued combination of catchy songs and authenticity.
The albums were recorded live with his four-piece touring band with only days of rehearsal leading up to recording to keep the ideas fresh. No overdubs, no other singers, no additional players – just a real, heartfelt performance capturing the moment. In fact, his songs "Picture in a Drawer" and "It's Cold in This House" are only Justin, his guitar and his pedal steel player Paul Niehaus.
"As I've gotten older my anger comes from a very different place. It's more rational and mature. I guess that comes along with clarity," JTE reflects. Single Mothers and Absent Fathers find Justin dealing with past struggles and anger with more ease than ever before. Creating a nostalgic feeling with the return to his signature sound, JTE takes listeners on a journey through some of his most personal stories yet on what can only be described as an authentic country records.
Barna Howard
Barna Howard
BARNA HOWARD was born and raised in a quintessential Midwest town. His youth in Eureka, Missouri was pure Americana – the sort of childhood that inspired E.T.-era Spielberg – baseball cards in his bicycle spokes, flying freely down Main Street and through neighbors’ backyards.

However, much of Barna’s story is not unique to his hometown, and, like most of small town America, Eureka has lost some of that charm over time. Main Street has changed, kids don’t run around quite so carelessly, and in an almost laughably cruel twist, his childhood home was knocked down in favor of a Walmart parking lot.

After high school, Howard moved north to study animation in one cold and windy city and then east for love in another. Years later, he blindly followed two friends to the Northwest, crossing the Rockies for the first time, in search of inspiration, opportunity and a fresh start.

Barna’s self-titled debut chronicled these moves as he struggled with the contrast between his small town upbringing and these big city wanderings. The album was met with critical acclaim and underground success, partly thanks to an opportunely placed song in the hit indie film, Drinking Buddies. One critic even likened him to some “lost genius of the 60’s.”

The songs on Barna Howard’s second album, Quite A Feelin’, ruminate on his relationship with home. Now entrenched in Portland, Oregon, many of the album’s tracks immortalize and reflect on the Eureka he once knew, while others focus on the relationships that define his new home out west. Small town life has long been celebrated in country and folk music, but Barna’s knack for capturing his own deeply personal nostalgia resonates in a rarely universal way.