Whitehorse – Tickets – Doug Fir Lounge – Portland, OR – December 5th, 2016

Whitehorse

Husband and wife folk duo from Canada

Whitehorse

Chris Kasper

December, 5th, 2016

Doors: 8:00 pm / Show: 9:00 pm

$11.00 - $12.00

This event is 21 and over

Whitehorse
Whitehorse
Glam and sleaze, desert grit and subway rats, scum-bags and fakers, hot messes and cold shoulders: welcome to the world of Whitehorse, a rock duo from Toronto.

Whitehorse's brazen sonic breadth encompasses psychedelic surf, arid border rock, lo-fi ingenuity and icy 80's sparseness. Luke Doucet's Gretsch White Falcon and impeccable tone, combined with Melissa McClelland's blazing vocals and badass P- Bass playing, have made the duo's sound is unmistakably, inventively 'Whitehorse.' The duo's songwriting is distinguished by its cinematic fiction, full of flawed characters, foiled plans and anti-fairytales that transform real life into sleek, stylized collages of neo-noir drama and high-gloss.

Whitehorse began as something of a folk duo, but quickly outgrew that box with their inventive instrumentation and resistance to expectation. The duo moved into 'space cowboy' twang territory on the debut apocalyptic full-length The Fate of the World Depends on This Kiss, a fitting title lifted from a Wonder Woman comic. From there, Whitehorse expanded the intergalactic atmospherics with Leave No Bridge Unburned, a chase-scene-velocity acceleration into rock n' roll, with lethal riffs and near indecent vocal heat. Most recently, the duo rebuilt early electric blues for The Northern South Vol. 1, which showcased the duo's adventurousness and enviable guitar collection.

The duo's profile has grown exponentially with each release. The pair now sells out Massey Hall, Canada's most prestigious venue. Last year, Whitehorse won a Juno Award and performed on the award's live television broadcast to millions. Press highlights in the USA, include airtime on NPR's Morning Edition and Weekend Edition, and coverage from Rolling Stone, the Wall Street Journal, Paste and more.

With the new single "Boys Like You," Whitehorse once again mixes things up, adding hip-hop producers and processed beats, and expanding their studio sound with samplers, vintage drum-machines and more. The result is a song that is an irresistible fusion of 90s guitar rock riffs and Brit pop-inspired swells with futuristic, cinematic production.
Chris Kasper
Chris Kasper
Chris Kasper is an American songwriter with a style rooted in folk, rock and blues. His music has been compared to everything from Paul Simon to Beck, and draws on inspiration from musical greats such as Bill Withers and Levon Helm. With 25 years of playing under his belt, Chris’s unique storytelling and lush arrangements, combined with his studio artistry, set him apart as a standout artist of this generation.
Based in Philadelphia but a true road warrior at heart, the past 12 years have found Chris sharing the stage with the likes of Amos Lee, The Avett Brothers, Tristan Prettyman, Good Old War and The Wood Brothers. A solo performer to be reckoned with, Chris’s collaborative spirit also lends him great strength as a bandleader. He can often be found performing with Philadelphia staples Phil D’Agostino (bass), Kiley Ryan (fiddle) and Daniel “Scrappy” Bower (percussion).
Chris Kasper stepped into the role of producer and arranger for his 4th album, Bagabones, released October 1, 2013. The result is an album of rare depth and true originality that stands up on its own to be recognized. Bagabones was written in a small cabin owned by Chris’s late uncle in West Hurley, NY, just outside the town of Woodstock. The energy of Woodstock danced its way into these songs, along with the calm of Byrdcliffe Mountain and a generous homage to Chris’s musical heroes. Engineered by Matt Muir of Kawari Studios and mastered by Philly soul producer Jim Salamone (Teddy Pendergrass), this record captures a sound rarely found from a self-produced, independent artist. Kelsey Butterworth of The 9:30 Club in DC warns listeners, “...make room in your heart for this record and this artist. This music hits you like a train.”